DPF / Stickney

For troubled histories, from poetryfoundation.org.

from You Say, Columbus with his Argosies / by Trumbull Stickney

I then do answering say to you: The line
Of wizards and of saviours, keeping trust
In that which made them pensive and divine,
Passes before us like a cloud of dust.

For sleep, from poetryfoundation.org.

from Night in Sine / by LÉOPOLD SÉDAR SENGHOR, TRANSLATED BY MELVIN DIXON

Woman, place your soothing hands upon my brow,
Your hands softer than fur.
Above us balance the palm trees, barely rustling
In the night breeze. Not even a lullaby.

DPF / Warsh

For locks and scenes, from The Best American Poetry, 1997, edited by James Tate.

from Downward Mobility / by Lewis Warsh

I’ll probably make the same mistake at least one more time in my life before I learn there’s an alternative.

DPF / Schwartz

For dreams, from The Best American Poetry, 1997, edited by James Tate.

from Recruiting Poster / by Hillel Schwartz

Be what or who or where
ever, but be torrid.
Oh, be most, then more so, then beyond.

DPF / Walcott

An apologetic delay with some unapologetic lines from a poet with whom I ate dinner once in Florida (as did our whole graduate class) thanks to our William Logan. I sat beside Derek Walcott. He was a friendly giant. This one’s from The Best American Poetry, 1997, edited by James Tate.

from Italian Eclogues / by Derek Walcott

              metaphors
breed and flit in the cave of the mind, and one hears
in the waves’ incantation and the August conifers,
and reads the ornate cyrillics

DPF / Warren

For mothers and daughters, from The Best American Poetry, 1997, edited by James Tate.

from Diversion / by Rosanna Warren

        “Darling, I can’t
     locate myself–” “Where
         are you?”

DPF / Butson

For bus stops, from Poetry 180, edited by Billy Collins.

from Tuesday / by Denver Butson

A man standing at the bus stop
reading a newspaper is on fire

DPF / Fogel

For St. Bridget Press, from Poetry 180, edited by Billy Collins.

from The Printer’s Error / by Aaron Fogel

First: I hold that all books
and all printed
matter have
errors, obvious or no,
and that these are their
most significant moments