DPF / Bidart

For desolating landscapes, from Great American Prose Poems, edited by David Lehman.

from Borges and I / by Frank Bidart, b.1939

We fill pre-existing forms and when we fill them we change them and are changed.

DPF / Atwood

For screech owls, from Great American Prose Poems, edited by David Lehman.

from Women’s Novels / by Margaret Atwood, b. 1939

She had the startled eyes of a wild bird. This is the kind of sentence I go mad for.

DPF / Edson

For steering the right direction, from Great American Prose Poems, edited by David Lehman.

from The Pilot / by Russell Edson, b.1935

He thinks he can use the back of a chair as a ship’s wheel to pilot this room through the night.

DPF / Browning

For everlasting watch and moveless woe, from Poem A Day, Volume 2, edited by Laurie Sheck.

from Grief / by Elizabeth Barrett Browning  (1806-1861)

Touch it; the marble eyelids are not wet.
If it could weep, it could arise and go.

DPF / Housman

For seventy springs, from Poem A Day, Volume 2, edited by Laurie Sheck.

from Loveliest of Trees / by A.E. Housman  (1859-1936)

And since to look at things in bloom
Fifty springs are little room

DPF / Akhmadulina

For trees in snow, from Poem A Day, Volume 2, edited by Laurie Sheck.

from Silence / by Bella Akhmadulina, b. 1937, translated by Daniel Halpern

And the birds of my throat are dead,
Their gardens turning into dictionaries.

DPF / Moses

For magic, from wherever it falls or rises. This one’s from Taos Journal of International Poetry & Art, Issue 6.

from Essay on the Problem of Sky Woman / by Daniel Moses

It’s now clear that our options are two. Who
Was she? The woman who jumped or the one
Who got pushed?