DPF / Bidart

For desolating landscapes, from Great American Prose Poems, edited by David Lehman.

from Borges and I / by Frank Bidart, b.1939

We fill pre-existing forms and when we fill them we change them and are changed.

DPF / Atwood

For screech owls, from Great American Prose Poems, edited by David Lehman.

from Women’s Novels / by Margaret Atwood, b. 1939

She had the startled eyes of a wild bird. This is the kind of sentence I go mad for.

DPF / Edson

For steering the right direction, from Great American Prose Poems, edited by David Lehman.

from The Pilot / by Russell Edson, b.1935

He thinks he can use the back of a chair as a ship’s wheel to pilot this room through the night.

DPF / Housman

For seventy springs, from Poem A Day, Volume 2, edited by Laurie Sheck.

from Loveliest of Trees / by A.E. Housman  (1859-1936)

And since to look at things in bloom
Fifty springs are little room

DPF / Akhmadulina

For trees in snow, from Poem A Day, Volume 2, edited by Laurie Sheck.

from Silence / by Bella Akhmadulina, b. 1937, translated by Daniel Halpern

And the birds of my throat are dead,
Their gardens turning into dictionaries.

DPF / Jarrell

For the last day of National Poetry Month, from Poem A Day, Vol 2. So sad to see you go.

from A Sick Child / by Randall Jarrell (1914-1965)

I say, ” Well, thank you very much. Good-bye.”

DPF / Supervielle

Still attempting no repetitions, so here’s a no-repeat for today, from Selected Translations by W.S. Merwin.

from The Tip of the Flame / by Jules Supervielle (French 1884-1960)

All through his life
He had liked to read
By a candle