DPF / Kizer

For daughters, from Mermaids in the Basement.

from For My Daughter / by Carolyn Kizer

I held my breath that night
to the light sound of rain
and prayed you to grow.

DPF / Moss

For an apt metaphor for drilling to the core of any of us, from The American Poetry Review, January / February 2016, in an article about Moss by Laurence Lieberman. If I have gathered the title incorrectly, please message me for the correction. Obviously, I should buy the book.

from Poem of Self / by Stanley Moss

Putting his back into the drill, as if the tree were marble,
he quickly passed through American history,
knot and counter-knot, to the age of Mozart,
through the Baroque, through Shakespeare grain

DPF / Guest

For stories and prayers, from poetryfoundation.org.

from Thanksgiving / by Edgar Albert Guest (1881–1959)

Greetings fly fast as we crowd through the door
And under the old roof we gather once more
Just as we did when the youngsters were small;

DPF / Kizer

For 42 years and a month ago, from poetryfoundation.org.

from October 1973 / by Carolyn Kizer

Last night I dreamed I ran through the streets of New York
Looking for help for you, Nicanor.

DPF / Lies

For bats in polka dot bathing suits, from my little boy’s library.

from Bats on the Beach / by Brian Lies

Little bats dig their sand caves deep,
as old bats lie in the moon, asleep.

DPF / Fearing

For magazines and dreams, from The Oxford Book of American Poetry, edited by David Lehman.

from X Minus X / by Kenneth Fearing

Still there will be your desire, and her desire, and his
                   desire, and their desire,
your laughter, their laughter

DPF / Tretheway

For journeys, from The Academy of American Poets at poets.org

from Theories of Time and Space / by Natasha Tretheway

        Bring only

what you must carry—tome of memory
its random blank pages. On the dock

where you board the boat for Ship Island,
someone will take your picture:

the photograph—who you were—
will be waiting when you return

DPF / Coolidge

For autumns, from poetryfoundation.org.

from The Country Autumns / by Clark Coolidge

Two plates, and on the other side all the
forest pieces. The clock says stay.
The books lower the earth, and in gardens
flat stones spin.