For a different perspective, from Station Island.
from Drifting Off / by Seamus Heaney
The guttersnipe and the albatross
gliding for days without a single wingbeat
were equally beyond me.
For a different perspective, from Station Island.
from Drifting Off / by Seamus Heaney
The guttersnipe and the albatross
gliding for days without a single wingbeat
were equally beyond me.
For Irish Medieval Literature, from Sweeney Astray, Heaney’s version of Buile Suibhne.
from Sweeney Astray / by Seamus Heaney
The blackthorn is a jaggy creel
stippled with dark sloes;
green watercress in thatch on wells
where the drinking blackbird goes.
For my sister and brother-in-law and niece’s home, from one Irish family to another, and from Station Island.
from Remembering Malibu / by Seamus Heaney
The Pacific at your door was wilder and colder
than my notion of the Pacific
and that was perfect
For medieval literature and Irish classics and lines that remind me of the wells and springs of the Kentucky mountains, from Sweeney Astray.
from Sweeney Astray: 40 / by Seamus Heaney
The springs I always liked
were the fountain at Dunmall
and the spring-well on Knocklayde
that tasted pure and cool.
PIA: from a May 17th.
For basalt eggs and swans’ feet, from North.
from The Grauballe Man / by Seamus Heaney
As if he had been poured
in tar, he lies
on a pillow of turf
and seems to weep
For basalt eggs and swans’ feet, from North.
from The Grauballe Man / by Seamus Heaney
As if he had been poured
in tar, he lies
on a pillow of turf
and seems to weep
For the day and the centennial of the poem’s title event, from poetryfoundation.org.
from Easter, 1916 / by William Butler Yeats
For St. Patrick’s Day and passing moments, from poetryfoundation.org.
from The Wild Swans at Coole / by William Butler Yeats (1865–1939)
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